Natalie has been described as a higher dramatic mezzo, with a ‘beautiful top range’, a ‘pure sound’, and a voice with many colours. She performs a wide compass of repertoire, from ornamented Early Music, Baroque and Classical opera, to works of contemporary composers.
In Autumn 2019 Natalie will premiere art songs of Richard Norris (following the world premiere of Richard’s Endlessly Rocking’ in 2005) in a series of dramatic songs of autumnal theme written for Natalie between 2007 and 2019. The recital will also include the lovely music of British composer Betty Roe
Natalie has performed throughout the UK and Europe, as soloist and chorus
member. She performs with the Richard Roddis Singers and The Derwent
Singers, and chorally speaking, regularly performs from second alto to first
soprano, with or without vibrato.
Operatically, Natalie has performed with Keele Opera (Dido), Opera Ingestre
(Belinda), and Corda (Galatea), in addition to chorus work at Birmingham
Conservatoire Opera and Civit Hills Opera.
Natalie has also performed as soloist with members of The Bach Players and The
Six, (directed by Nicolette Moonen and Richard Roddis); London Concert
Orchestra, London Lawyers LLB Orchestra and Choir, and the Manchester
Camerata (directed by Matthew Willis); the Liebeck Quartet; Keele Bach Choir,
the Barbara Walton Singers and the 18th Century Sinfonia (directed by David
“Natalie’s clear and tuneful soprano shone brightly.” Chris Ramsden, 2011
“Young Natalie Windsor showed off her warm, unusual soprano voice most
tellingly in the role of Dido, and also demonstrated a natural acting ability which
she would do well to cultivate. We could have a budding operatic star here.” Eric